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Crash Course Home Recording by Paul White Paperback

CRASH COURSE HOME RECORDING

By Paul White

Crash Course: Home Recording is an eight week program to take you from novice to studio expert as quickly and comprehensively as possible. Learn how to record, mix and process your own songs. All technical terms are explained in a full glossary. This book was written by Paul White of Sound On Sound magazine.

Fast-track route from novice to studio expert in just eight weeks
Learn how to record, mix and process your own songs
All technical terms explained in a full glossary
Ever wanted to have a stab at recording your own songs? Ever wondered what on Earth a mixing desk does and what exactly all those knobs do? Then fear not, for with Crash course Home Recording you’ll be well on your way to mastering the mysteries of the studio in just a couple of months.

Over an eight week period, renowned technical author and studio guru Paul White dissects and displays every aspect of home recording, from choosing the right mic to mastering the finished product, taking in effects and processors, monitoring, multitracking and computer-based editing packages along the way. If you’ve ever been baffled and overawed by rack-mounted reverbs and DI’d Danelectros, this book is for you.

Paul White is one of the UK’s most acclaimed and respected authors on music technology. An accomplished musician himself, with a number of albums to his credit, he started out writing for the popular magazines Home Studio Recording and Music Technology before moving to the industry’s leading monthly Sound On Sound, of which he is now editor. He also runs his own highly successful studio and has worked with many high profile musicians.

Level: Beginner.
Technology: Studio/Live/Production/Recording/Software/Internet

ANOTHER GREAT TITLE FROM PAUL WHITE a recognised authority on all matters music and music technology. Paul was technical editor for Home Studio Recording magazine, later becoming editor as well as technical editor of the existing Electronics and Music Maker magazine. He also took on the role of technical editor for the new Music Maker titles including Guitarist and Rhythm.

In 1991 he became editor of Audio Media Magazine and founding editor of Recording Musician. When the existing editor of Sound On Sound left the company, Paul took over the post until 2004 when he was made Editor In Chief.

Paul continues to run a semi-commercial studio at his home and still plays guitar in public whenever possible.

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